In a series of works entitled “Realms of the Unconscious”, Gasoi began to combine his background in psychology with past experiences in video and performance art, in works that challenge the notions of painting, drawing and fine-art photography. In his exploration of the expressive possibilities of drawing on film with light, the artist chooses cibachrome as the ideal medium for color saturation, and devises his own light sources as tools to achieve brilliant, vibrant color. Unlike many of his peers working in “staged photography”, Gasoi’s subjects exist only at the time of shooting, injecting a temporal quality to the pieces that enhances their mystery. He appears himself, in many of the pieces, under various disguises. In others, household objects are presented as humorous or even, diabolical.